我来到列车候车厅，离发车时间还有几个小时。我在大厅里慢慢踱步，摆弄手表，看看周围——但我没有对任何事物表示关切。这里的无所关切者为何？不是来自周围的任何事物，甚至也不是来自我来得太早了这一事实，而是来自时间对于我的阻碍，来自事物的时间与我的时间之间的不匹配：“无所关切”便诞生于列车的无法安放的时间性——在我所展开的时间结构中，列车“应当”在我步入站台的那一刻恰好驶来；于是，列车的迟迟不来以无比强烈的方式突显自己的时间性，突显事物自身的时间。
物的时间以无法预料的事态与我直面，无所关切的“中间”状态游离出词与物的既定连接，错位地把我移置在与列车的横向关系中。
―摘自《飞形火花》書第三章
环境的影响第八篇
Movie -- Forrest Gump
No concern
No embrace
I arrived at the train station when there were still a few hours left before departure time. I slowly paced in the station hall, fiddled with my watch and looked around. However, I did not express any concern about anything. What is the origin of “no concern”? It is neither from anything in the surroundings nor from the fact of my early arrival, but from the block of time. It is from the mismatch of time between objects and me. “No concern” originated from the train’s timeliness which cannot be placed. In the time structure that I unfolded, the train “should have” arrived at the moment I stepped onto the platform. Thereupon the delayed arrival of the train demonstrated the timeliness of its self and objects in an extremely intensive way.
The object’s timeliness and unexpected status confronted me. The “intermediary” status which evokes no concern dissociates the established connection between phrases and objects, placing me in a horizontal connection with the train in dislocated way.
～extracted from part 8, chapter 3
TO KNOW THE ENVIRONMENT INFLUENCE of
”OFA INSPIRE“
